Audio Performance
The audio performance tests were done using Audio Rightmark 6.0.5 and a 3.5mm gold plated, oxygen free stereo loop back cable between stereo out and microphone input. Results were taken at the DVD sample rate of 16-bit/48KHz and High Definition 24-bit/96KHz.
What we're looking for:
- Noise Level: A higher negative is better. This is usually viewed in relation to a signal level which provides a signal to noise ratio. As you get closer to zero there's more noise and lesser audio fidelity.
- Frequency Response: Two values listing how close to the lower higher frequencies the codec can reach. If it hits them perfectly it'll display a 0, 0.
- Dynamic Range: The difference between the loudest and quietest sounds the codec can make before it distorts them. The larger the gap, the better.
- THD and IMD percentage: Closer to zero is better. THD and IMD are best looked at together, where as if you have a lot of THD and not much IMD, then it'll offer a warmer accurate sound. High THD and IMD provides a warm, inaccurate sound, low THD and high IMD gives a cold inaccurate sound and finally low THD and IMD gives a cold accurate sound.
- IMD = intermodulation distortion and is a fancy way of saying conversion interpolation, which is a basic detection of the quality loss after an analogue to digital then digital to analogue conversion. By comparing it to a highly compressed source it shows up problems with the codec and converters.
- THD = total harmonic distortion, which shows up unwanted harmonics; integer multiples of the original component sound that can be second, third, fourth degrees or overtones for example.
- Stereo Crosstalk: where the stereo channels "talk" to each other and interact. Ideally you want them entirely separate, unmixed or echoed in either channel, so a higher negative a result as possible is preferred.
16-bit / 48KHz
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Crosstalk, Dynamic Range and Frequency Response
Intermodulation Distortion, Total Harmonic Distortion and Noise Level
24-bit / 96KHz
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Crosstalk, Dynamic Range and Frequency Response
Intermodulation Distortion, Total Harmonic Distortion and Noise Level
We've compared both the Gigabyte DS5 and DQ6 in the graphs above, and despite using the same PCB and Realtek chipset, there's a capacitor difference between the boards. We have never had an "Excellent" result from on-board audio before, and while only the DS5 at 24-bit / 96KHz delivers that kind of performance, all of the "very good" results are just shy of being excellent.
All are significantly better than the ALC888 on the Abit IP35 Pro and considering the ALC889a supports DTS Connect, the Gigabyte DS5 and DQ6 could make fantastic boards for a home theatre PC.
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